Monday, July 17, 2006
Quantum Social Relativity
03/21/05 Water Mushroom courtesy of Studio Antwan
"I bet sociology could use a guy like you" Craig Newmark writes back in January in a post entitled "A brief reply to Whats Wrong with Economics?" He was speaking "to the gentleman who claims economics isn't 'predictive' and has the same maturity as "physics before Newton and possibly before Galileo," His comment struck a chord, poet and musicmaker as I am, and son not only to a former Princeton Economics Professor but also Grandson to another Economics professor, a supply side economic advisor to FDR, who just happened to be Alan Greenspan's teacher way back in 1946.
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The fact of the matter is that sociology could indeed use a few more mathematically and scientifically grounded minds, particularly given recent studies by physicists that have used mathematical modeling to better understand the dynamics of social interaction. Similarly, the field of economics could use a few more humanistically inclined folk, especially in light of the rise of prospect theory.
As long as sociologists think economists heartless and economists think sociologists fools and dreamers, we are going to miss the forest for the trees. The "answer" as the Eastern philosophers are fond of saying, lies somewhere in the middle, the "Great nothingness" from which springs forth all being. Or rather, "in the middle of a contradiction there lies truth."
Prescriptively speaking, there ought to greater efforts made to bridge paradigmatic theoretical constructs across entire disciplines, not just with respect to internecine rivalries. Psychologists and Sociologists should be working WITH physicists and mathemeticians, not against. It's no "accident" that the double helix was discovered in a dream, the quark in a Joyce novel; and it's no mere interesting "oh, you don't say..." that Alan Greenspan studied at Julliard before going to NYU to study economics. As Willy Wonka put it: "We are the musicmakers. We are the dreamers of dreams." Or as an economist might put it "Atttude and morale are factors of production."
Simply put, the good market is on sale. The NYT called it "Death by Smiley Face" and cited Craig's List in particular as a practitioner of it, I call it "trickle-up economics" based on a model of psychic barter, universal utility, power and the speed of idea (squared). Hegelian dialectic (aka "triangulation") also figures in. I can anecdotally support my case umpteen zillion ways to Sunday, but it's outside in and inside out rather than bottom up cumulative or top down reverse engineered. Jung called this the "final" rather than the "causal" perspective. I just call it QUANTUM SOCIAL RELATIVITY and it's a psychic fact of existence regardless of the underlying math.
We ourselves are the space and the connection between things. As such, welcome to the 5th dimension aka the eternal "now" and the psychosocial eqivalent to e=mc^2 and perhaps far more:
Z= PI2
Zightgeist = Power * speed of Idea2
Network, system and string theory are the missing links. Also, for what it's worth, my derivations for Z=PI2 predict that light can travel backwards as well as that 1=2 (aka the circular paradox wherein the formaula for the Area can reduce to 1 or 2). But first you've got to accept that 0 actually = -1 and is the opposite side of +1. In physics 101 it's called potential energy.
There's much, much more, but I'll leave it at that for now. I'm not hard to find if anyone who this way comes is interested in discussing further.
Sunday, July 16, 2006
Worldzight
an improvisational experiment in global participatory democracy
The premise behind Worldzight is to bring together trans-global constituencies bound together by race, religion, issues, convergence of interest, or any one of a number of "metonymic" (a part used for the whole) connections to a given "cause" in a peaceful, non-obstructive manner.
The goal of Worldzight is to demonstrate to local, regional and national governments world-wide that citizen democracy can STILL work even in an increasingly globalized, yet micro-segmented, society that works to simultaneously concentrate means of communication in the hands of a few while dividing constituencies into ever smaller self-coalescing micro-constituencies. These simultaneous trends threaten to work hand in hand to frustrate attempts to generate popular consensus on pressing global issues even as the means (the "pipes") by which to express dissent become ever more subject to corporate whim.
Worldzight ,born of improvisational necessity late in the afternoon on July 2nd, 2006, is inspired by Ana Crisan's dogged determination to protect her friend Chris' unjust eviction from his home of many, many years beneath Toronto's Gardiner Expressway. The Worldzight action is based on a still emerging theory of BUSINESS ARTIVISM, blending together business, art and NON-PARTISAN activism and utilizes a model for political discourse and direct action based on community theater-type means of communication transmission such as those that contributed to the peaceful downfall of the totalitarian state government in Czechoslovakia during the early 1990's, an action referred to in common culture as "The Velvet Revolution"
Worldzight firmly believes that one-to-one or one-to-few outreach directed outward from the central point of conflict can work in tandem with judiciously selected micro-targeted mass media outlets and direct action by incentivized constituencies to serve as a countervailing balance against increasingly dangerous Gilded Age economic policies that increase class separation via concentration of wealth and decrease communication via an increase of technological anonymity. The goal is NOT revolution, but velvet-style change and transformation from within.
We ask for your help making Worldzight a success it's very first time out. The point we most want to convey is that the voice and they eyes will not just go away after the deed is done. With citizen democracy there is no such thing as a fait accompl.
:: Additional Info
:: WorldZight on Flickr
Business Artivism
"Alone it Stay" by Giampaolo Macorig
Business Artivism is a business model for the 21st Century Information Age with an underlying philosophy that aims to enfranchise and monetize vast, untapped societal reservoirs of creative talent and goodwill. Primarily Media- and Internet-driven, Business Artivism is differentiated from standard “Corporate Good Citizen” business model by it’s bottom-up, personal agency-based grass-roots blending of business, art and activism.
The Business Artivist approach can be thought of as a financially incentivized, Social Entrepreneurial “franchise” that merges the contradictory but complementary values of independence and collaboration into one seamless “bricks and clicks” online and offline whole. While fundamentally non-partisan, business artivism nevertheless tends to the progressive socially while yet rewarding more traditionally conservative values such as personal initiative, hard work, innovation and talent-based merit.
The Business Artivist enterprise can be thought of as a grand three dimensional matrix where, in Othello game-like fashion, more than one "piece" can be played simultaneously and exist in more than one space in "virtual quantum" manner, thus creating multiple connections that allow for synergies well suited to trends towards micro-niche marketing. Contributors to the business artivist network are themselves the network’s greatest promoters, in part because expenditures of time and creative energy are valued on a par with monetary investment. Organic growth from inside is encouraged while not excluding newcomers. Projects currently in development include Blogs, an eCommerce Product launch and sundry, but related, Image-based enterprises.
related writings on Raphie Frank :: business artivist (link open in a new window)
related flickr groups:
Experience
ABOUT ::::: PORTFOLIOS :::: ONLINE PRESENCE
RAPHIE FRANK :: BUSINESS ARTIVIST
Background
Raphie Frank is a New York City-based interactive producer, writer, photographer and designer with sixteen years of hands-on cross-industry experience in a variety of managerial, creative and technical capacities in media including journalism, film & video, theater, music, commercial design and marketing communications. At heart, however, he considers himself a storyteller with the desire to tell reality-based stories with happy hopeful endings. He is currently engaged in a process to create the stories he wants to write about within a business context.
PORTFOLIOS (on Raphie Frank :: business artivist)
producing ::::: writings ::::: photography ::::: design
--------------------------------------------------------------------------------
COLLABORATIVE ENTERPRISE
--------------------------------------------------------------------------------
BOOJUMMY
Founder: Business Artivism
New York • December 2005 - present
Business Artivism is a business model for the 21st Century Information Age with an underlying philosophy that aims to enfranchise and monetize vast, untapped societal reservoirs of creative talent and goodwill. Primarily Media- and Internet-driven, Business Artivism is differentiated from standard “Corporate Good Citizen” business model by it’s bottom-up, personal agency-based grass-roots blending of business, art and activism. Contributors to the business artivist network are themselves the network’s greatest promoters, in part because expenditures of time and creative energy are valued on a par with monetary investment. Organic growth from inside is encouraged while not excluding newcomers. Projects currently in development include Blogs, an eCommerce Product launch and sundry, but related, Image-based enterprises.
related writings:
What is Business Artivism?
Introducing “Trickle Up Economics” (aka “The One Song”)
Steal This Business Concept!
Steal This Business Concept!
What the hell is “boojummy”?
ASYLUM
Co-Director
Prague • 1993
Asylum, an underground café/theater/art gallery in the heart of Prague, served as a home for numerous ongoing and special events. Programmed theater, lectures, round table discussions, film screenings, concerts, readings and art exhibits etc.; Managed cafe & mostly volunteer staff; and oversaw community outreach and public relations efforts.
related writings:
:: Planning Warhol in Prague: The Asylum Culture House & The Warholesquian Sensibility
:: Planning Warhol in Prague: Kafka & The "Refounding" of the Prague Culture House
:: Performing Cultures: English Language Theatres in Post-Communist Prague by Dr. Gwen Orel
FIRST STEP
Founder & Co-Director
Vassar College • Poughkeepsie, NY • 1987, 1988
Conceived, developed and directed the first two of what evolved into an annual week long "Step Beyond" festival designed to increase student involvement in the local community. Coordinated staff of 150 students. Oversaw PR and fundraising campaign. Organized guest speakers and entertainment. Activities included a volunteer push into the community, speeches, debates, and the “36 Hour Ultimate Frisbee Marathon for Hunger Action” Events received the Innovative Programming Award (National Association of Campus Activities, 1987) and the Francis Aaron Hess Award for Community Involvement (1988) and helped President Frances Fergusson cement her legacy as the Vassar President to do most to improve relations with the local community.
:: Giving A Damn :: Back to the Future
-------------------------------------------------------------------------------
EDITORIAL
--------------------------------------------------------------------------------
GOTHAMIST.COM
Interviewer
New York City • 2004- 2005
Conducted 50 interviews for a Top 100 New York City-focused blog named Forbes 2004 pick as "Best City Blog."
Other
Well-versed in a range of Marketing Communication and business-style communications, including, but not limited to Industry-related Articles, Press Releases, Case Studies and Marketing Copy (e.g. responsible for the bulk of website copy while at swandivedigital). Additional writings include political essays, personal histories, and a variety of creative compositions including songs, short stories and poems.
--------------------------------------------------------------------------------
DESIGN & MARKETING COMMUNICATIONS
--------------------------------------------------------------------------------
SWANDIVEDIGITAL
Senior Producer / Partner
New York City • December 2000— February, 2005
Full service design and integrated marketing communications agency. Range of engagements encompassed identity & logo development; website development (inclusive of database architectures, content management systems and blog implementations), corporate marketing and communication campaigns (i.e. report design & production, email list management and delivery, trade show materials, direct mail), advertising (i.e. print ads, online banners) and video production. Clients have included The Task Force on National Security in the Information Age, The Markle Foundation, The Shubert Foundation, Connecting For Health, Cepacol, The Shubert Organization, Dreyfus Records, Metamorphoses on Broadway, Enron and Referral Networks.
PRIMARY RESPONSIBILITIES
related writings:
:: :: The User-Centric Guide to Web Design
FREELANCE CONSULTANT / DESIGNER
New York City • March 2005 — present
Internet strategy and design consulting with a focus on non-profits, the arts and small business. Have functioned variously in an advisory capacity, as part of a team, and as a one-stop shop offering strategy, design, editorial, photographic, programming and project management services. Partcicular competencies include Usable Design (including Section 508 compliance) Online Branding & Strategy, Account & Project Management, Content Development and Viral Marketing. Clients have included Swandivedigital, Adele Twig, Melissa Ferrer, Tilefish, Inc., The Levee, eMedia and Jed Films. In association with Swandivedigital, clients have included The Markle Foundation, Connecting for Health, Just for Men and Just for Men Select
related writings:
Say It Again Sam, Don’t Pay it Again
The New Internet Math
Dollars & Sense
--------------------------------------------------------------------------------
PHOTOGRAPHY & LIGHTING
--------------------------------------------------------------------------------
Still Photography
New York City, Prague • 1994 - present
Theatrical publicity & performance photography and digital photography for usage in original design output. Highlights have included Blackbird (London, 2002), Quentin Crisp for Resident Alien (NYC, 2001, 2002), A Thread In The Dark (NYC, 2002), Liz Estrada (NYC, 2002), No Tragedy, Conference of the Birds, Angels In America, and A Christmas Carol (Prague, 1994 - 1996).
Film & Video
New York City • 1997 - present
Cinematography & Videography highlights have included Bacchus, an award winning 16mm short film for Bacchus Productions (DP, Co-Producer & Co-Writer, 1997); What is to be Done?, a 20 minute video short (DP, 1998); A Simple Gesture, 16mm short film, (Director David Snedeker, co-DP, 1997); Here Everything Still Floats and Whitney Biennial '97 DV short film & documentary (Director Michael Rush, Operator, 1997 &1998); and Bass Method, Piano Method I & II educational videos for eMedia (DP, 2001, 2002, 2005)
no reel currently available. work samples available upon request
Film Lighting Technician
Gaffer, Best Boy, Electrician, Grip
New York City • 1990 - 1992, 1993, 1996 - 2001
Over 150 film projects in various lighting technician capacities on such feature films as Happiness, Empire, Niagara, Niagara, Hangin' with the Homeboys; television shows(i.e. "100 Centre Street"); music videos for such known artists as The Strokes, The Fugees, Foxy Brown, Tom Jones, and Billy Joel; commercials, industrials and shorts. Member IATSE Local 52.
partial credit list available at IMDB.com
Theatrical Lighting Design
Prague, New York • 1994 - 1996, 1998
Envisioned, drafted and executed lighting concepts to underscore and complement directorial vision. Incorporated artistic styles ranging from naturalism to expressionism and social realism. 20 + Productions. Highlights include A Christmas Carol (Director Jesse Webb, Prague, 1994), No Tragedy (Director Peter Dubois, Prague, 1995), Itaka 2888 (Choreographer Petr Tyc, Czech Republic and Poland,1996), and Arcadia (Director Mervyn Willis, Visiting Artist at U. of Rochester, 1998)
portfolio available upon request, online portfolio forthcoming
--------------------------------------------------------------------------------
EDUCATION & SKILLS
--------------------------------------------------------------------------------
Vassar College, 1990
Dual Degrees: Dramatic Writing & Psychology
Thesis Topic: Sam Shepard & the Philosophy of Roads
Post-Graduate
16 years of self-study of art, philosophy, history, design, world events, politics, financial markets, computer programming & human interaction; extensive travel throughout Europe and The United States.
Software Proficiencies: Blogger software such as Movable Type & Wordpress, Photoshop, MS Office suite, MS Project, Omnigraffle (similar to Visio), BBEdit (handcoding), Dreamweaver, Contribute, HTML , CSS Stylesheets, Lyris ListManager. Familiar with: Illustrator, Flash, InDesign, Quark Xpress, Final Cut Pro
More detailed media-specific resumes and/or portfolios available upon request
ABOUT ::::: PORTFOLIOS :::: ONLINE PRESENCE
RAPHIE FRANK :: BUSINESS ARTIVIST
Background
Raphie Frank is a New York City-based interactive producer, writer, photographer and designer with sixteen years of hands-on cross-industry experience in a variety of managerial, creative and technical capacities in media including journalism, film & video, theater, music, commercial design and marketing communications. At heart, however, he considers himself a storyteller with the desire to tell reality-based stories with happy hopeful endings. He is currently engaged in a process to create the stories he wants to write about within a business context.
PORTFOLIOS (on Raphie Frank :: business artivist)
producing ::::: writings ::::: photography ::::: design
--------------------------------------------------------------------------------
COLLABORATIVE ENTERPRISE
--------------------------------------------------------------------------------
BOOJUMMY
Founder: Business Artivism
New York • December 2005 - present
Business Artivism is a business model for the 21st Century Information Age with an underlying philosophy that aims to enfranchise and monetize vast, untapped societal reservoirs of creative talent and goodwill. Primarily Media- and Internet-driven, Business Artivism is differentiated from standard “Corporate Good Citizen” business model by it’s bottom-up, personal agency-based grass-roots blending of business, art and activism. Contributors to the business artivist network are themselves the network’s greatest promoters, in part because expenditures of time and creative energy are valued on a par with monetary investment. Organic growth from inside is encouraged while not excluding newcomers. Projects currently in development include Blogs, an eCommerce Product launch and sundry, but related, Image-based enterprises.
related writings:
ASYLUM
Co-Director
Prague • 1993
Asylum, an underground café/theater/art gallery in the heart of Prague, served as a home for numerous ongoing and special events. Programmed theater, lectures, round table discussions, film screenings, concerts, readings and art exhibits etc.; Managed cafe & mostly volunteer staff; and oversaw community outreach and public relations efforts.
related writings:
:: Planning Warhol in Prague: The Asylum Culture House & The Warholesquian Sensibility
:: Planning Warhol in Prague: Kafka & The "Refounding" of the Prague Culture House
:: Performing Cultures: English Language Theatres in Post-Communist Prague by Dr. Gwen Orel
FIRST STEP
Founder & Co-Director
Vassar College • Poughkeepsie, NY • 1987, 1988
Conceived, developed and directed the first two of what evolved into an annual week long "Step Beyond" festival designed to increase student involvement in the local community. Coordinated staff of 150 students. Oversaw PR and fundraising campaign. Organized guest speakers and entertainment. Activities included a volunteer push into the community, speeches, debates, and the “36 Hour Ultimate Frisbee Marathon for Hunger Action” Events received the Innovative Programming Award (National Association of Campus Activities, 1987) and the Francis Aaron Hess Award for Community Involvement (1988) and helped President Frances Fergusson cement her legacy as the Vassar President to do most to improve relations with the local community.
:: Giving A Damn :: Back to the Future
-------------------------------------------------------------------------------
EDITORIAL
--------------------------------------------------------------------------------
GOTHAMIST.COM
Interviewer
New York City • 2004- 2005
Conducted 50 interviews for a Top 100 New York City-focused blog named Forbes 2004 pick as "Best City Blog."
Other
Well-versed in a range of Marketing Communication and business-style communications, including, but not limited to Industry-related Articles, Press Releases, Case Studies and Marketing Copy (e.g. responsible for the bulk of website copy while at swandivedigital). Additional writings include political essays, personal histories, and a variety of creative compositions including songs, short stories and poems.
--------------------------------------------------------------------------------
DESIGN & MARKETING COMMUNICATIONS
--------------------------------------------------------------------------------
SWANDIVEDIGITAL
Senior Producer / Partner
New York City • December 2000— February, 2005
Full service design and integrated marketing communications agency. Range of engagements encompassed identity & logo development; website development (inclusive of database architectures, content management systems and blog implementations), corporate marketing and communication campaigns (i.e. report design & production, email list management and delivery, trade show materials, direct mail), advertising (i.e. print ads, online banners) and video production. Clients have included The Task Force on National Security in the Information Age, The Markle Foundation, The Shubert Foundation, Connecting For Health, Cepacol, The Shubert Organization, Dreyfus Records, Metamorphoses on Broadway, Enron and Referral Networks.
PRIMARY RESPONSIBILITIES
Account Management: Client interface, concept & strategy • RFP responses and proposal writing • Lead generation & client acquisition • Maintenance of precise and clear communication between client and project team • Keep abreast of developing industry and technology trends • Development of swandive promotional materials.
Project Management: Team assembly and coordination • Budget estimation • Project Plan development • Scheduling • Delivery of project deliverables in timely fashion; meeting or exceeding creative standards and technical benchmarks • Vendor research, negotiation and management (both interactive and print related)
Online Marketing: Search engine optimization and placement • Email list management and delivery • Occasional media buys and trafficking
User Experience: Research and ensure implementation of usability & universal accessibility online best practices • Site maps and page schematics. • Developed User-centric Assessment method to quantitatively rate Website Usability along parameters of Usefulness, Ease of Use, Efficiency, Engagement and Trustworthiness.
related writings:
:: :: The User-Centric Guide to Web Design
FREELANCE CONSULTANT / DESIGNER
New York City • March 2005 — present
Internet strategy and design consulting with a focus on non-profits, the arts and small business. Have functioned variously in an advisory capacity, as part of a team, and as a one-stop shop offering strategy, design, editorial, photographic, programming and project management services. Partcicular competencies include Usable Design (including Section 508 compliance) Online Branding & Strategy, Account & Project Management, Content Development and Viral Marketing. Clients have included Swandivedigital, Adele Twig, Melissa Ferrer, Tilefish, Inc., The Levee, eMedia and Jed Films. In association with Swandivedigital, clients have included The Markle Foundation, Connecting for Health, Just for Men and Just for Men Select
related writings:
--------------------------------------------------------------------------------
PHOTOGRAPHY & LIGHTING
--------------------------------------------------------------------------------
Still Photography
New York City, Prague • 1994 - present
Theatrical publicity & performance photography and digital photography for usage in original design output. Highlights have included Blackbird (London, 2002), Quentin Crisp for Resident Alien (NYC, 2001, 2002), A Thread In The Dark (NYC, 2002), Liz Estrada (NYC, 2002), No Tragedy, Conference of the Birds, Angels In America, and A Christmas Carol (Prague, 1994 - 1996).
Film & Video
New York City • 1997 - present
Cinematography & Videography highlights have included Bacchus, an award winning 16mm short film for Bacchus Productions (DP, Co-Producer & Co-Writer, 1997); What is to be Done?, a 20 minute video short (DP, 1998); A Simple Gesture, 16mm short film, (Director David Snedeker, co-DP, 1997); Here Everything Still Floats and Whitney Biennial '97 DV short film & documentary (Director Michael Rush, Operator, 1997 &1998); and Bass Method, Piano Method I & II educational videos for eMedia (DP, 2001, 2002, 2005)
no reel currently available. work samples available upon request
Film Lighting Technician
Gaffer, Best Boy, Electrician, Grip
New York City • 1990 - 1992, 1993, 1996 - 2001
Over 150 film projects in various lighting technician capacities on such feature films as Happiness, Empire, Niagara, Niagara, Hangin' with the Homeboys; television shows(i.e. "100 Centre Street"); music videos for such known artists as The Strokes, The Fugees, Foxy Brown, Tom Jones, and Billy Joel; commercials, industrials and shorts. Member IATSE Local 52.
partial credit list available at IMDB.com
Theatrical Lighting Design
Prague, New York • 1994 - 1996, 1998
Envisioned, drafted and executed lighting concepts to underscore and complement directorial vision. Incorporated artistic styles ranging from naturalism to expressionism and social realism. 20 + Productions. Highlights include A Christmas Carol (Director Jesse Webb, Prague, 1994), No Tragedy (Director Peter Dubois, Prague, 1995), Itaka 2888 (Choreographer Petr Tyc, Czech Republic and Poland,1996), and Arcadia (Director Mervyn Willis, Visiting Artist at U. of Rochester, 1998)
portfolio available upon request, online portfolio forthcoming
--------------------------------------------------------------------------------
EDUCATION & SKILLS
--------------------------------------------------------------------------------
Vassar College, 1990
Dual Degrees: Dramatic Writing & Psychology
Thesis Topic: Sam Shepard & the Philosophy of Roads
Post-Graduate
16 years of self-study of art, philosophy, history, design, world events, politics, financial markets, computer programming & human interaction; extensive travel throughout Europe and The United States.
Software Proficiencies: Blogger software such as Movable Type & Wordpress, Photoshop, MS Office suite, MS Project, Omnigraffle (similar to Visio), BBEdit (handcoding), Dreamweaver, Contribute, HTML , CSS Stylesheets, Lyris ListManager. Familiar with: Illustrator, Flash, InDesign, Quark Xpress, Final Cut Pro
More detailed media-specific resumes and/or portfolios available upon request
ABOUT ::::: PORTFOLIOS :::: ONLINE PRESENCE
About
EXPERIENCE ::::: PORTFOLIOS :::: ONLINE PRESENCE
Raphie Frank is a New York City- based interactive producer, writer, photographer and designer, with supplemental expertise in Usability & Online Marketing. Raphie helped found swandivedigital in 2000 after ten years of production, technical and design experience in the Visual and Performing Arts worlds. While at swandivedigital he oversaw multiple engagements for such organizations as the Markle Foundation, Referral Networks and the Shubert Foundation, before setting out on his own in 2005 as a freelance intermedia consultant.
Prior to his experience at swandivedigital, Raphie traversed the artistic globe as Culture House Director ("Asylum" theater/cafe/art gallery, Prague, 1992-1993), award-winning short-film Producer (Bacchus, Germany, 1998), Theatrical Lighting Designer and published photographer. Raphie graduated from Vassar in 1990 with degrees in Psychology and Dramatic Writing and has published 50 interviews with leading city blog Gothamist.com since August, 2004.
EXPERIENCE ::::: PORTFOLIOS :::: ONLINE PRESENCE
Raphie Frank is a New York City- based interactive producer, writer, photographer and designer, with supplemental expertise in Usability & Online Marketing. Raphie helped found swandivedigital in 2000 after ten years of production, technical and design experience in the Visual and Performing Arts worlds. While at swandivedigital he oversaw multiple engagements for such organizations as the Markle Foundation, Referral Networks and the Shubert Foundation, before setting out on his own in 2005 as a freelance intermedia consultant.
Prior to his experience at swandivedigital, Raphie traversed the artistic globe as Culture House Director ("Asylum" theater/cafe/art gallery, Prague, 1992-1993), award-winning short-film Producer (Bacchus, Germany, 1998), Theatrical Lighting Designer and published photographer. Raphie graduated from Vassar in 1990 with degrees in Psychology and Dramatic Writing and has published 50 interviews with leading city blog Gothamist.com since August, 2004.
EXPERIENCE ::::: PORTFOLIOS :::: ONLINE PRESENCE
Online Presence
ABOUT :::: EXPERIENCE ::::: PORTFOLIOS
BLOGS
Raphie Frank :: business artivist
Snipes, Logomancy & So So Psychosis
addl. blogs
Zight Writer :::: Politinotions :::: Internetification :::: Flickervism :::: Boojummy :::: Boojummy Photo :::: So So Psycho
contributor
Gothamist :::: Political Cortex :::: Covered-Up
------------------------------------------------------------------------------------
SOCIAL SOFTWARE
Friendster Profile
Blogger Profile
My Space Profile
Flickr Profile
------------------------------------------------------------------------------------
FLICKR GROUPS
Boojummy
Business Artivist
worldzight
fotoLocket
Riven Hearts
addl. flickr groups
BIRTHDAY! (384 members) :::: 50fiftySHOULDbe (130 members) :::: Smilesplosion (93 members) :::: Pinhole45 (91 members) :::: moiportrait (90 members) :::: Lost Context (63 members) :::: Missing Persons (71 members) :::: moirror (41 members) :::: *Wild Ripple* (30 members) :::: Nada Surf (20 members) :::: Hopeful People (12 members)
co-admin by invite
Help my friends PLEASE!!! NOW URGENT!!! (341 members) :::: The Street Photography Collective (828 members)
ABOUT :::: EXPERIENCE ::::: PORTFOLIOS
BLOGS
Raphie Frank :: business artivist
Snipes, Logomancy & So So Psychosis
addl. blogs
Zight Writer :::: Politinotions :::: Internetification :::: Flickervism :::: Boojummy :::: Boojummy Photo :::: So So Psycho
contributor
Gothamist :::: Political Cortex :::: Covered-Up
------------------------------------------------------------------------------------
SOCIAL SOFTWARE
Friendster Profile
Blogger Profile
My Space Profile
Flickr Profile
------------------------------------------------------------------------------------
FLICKR GROUPS
Boojummy
Business Artivist
worldzight
fotoLocket
Riven Hearts
addl. flickr groups
BIRTHDAY! (384 members) :::: 50fiftySHOULDbe (130 members) :::: Smilesplosion (93 members) :::: Pinhole45 (91 members) :::: moiportrait (90 members) :::: Lost Context (63 members) :::: Missing Persons (71 members) :::: moirror (41 members) :::: *Wild Ripple* (30 members) :::: Nada Surf (20 members) :::: Hopeful People (12 members)
co-admin by invite
Help my friends PLEASE!!! NOW URGENT!!! (341 members) :::: The Street Photography Collective (828 members)
ABOUT :::: EXPERIENCE ::::: PORTFOLIOS
Portfolios
ABOUT ::::: EXPERIENCE :::: ONLINE PRESENCE
PRODUCING
urls :::: Swandivedigital :::: Markle Foundation :::: Connecting For Health :::: Markle Conference Space ;::: The Shubert Foundation :::: The Shubert Organization :::: Just for Men :::: Just for Men Select :::: Cepacol :::: Dreyfus Records :::: Metamorphoses on Broadway :::: Definition of Insanity :::: Enron :::: Referral Networks
PRODUCING PORTFOLIO (on Raphie Frank:: business artivist)
---------------------------------------------------------------------------------------
DESIGN
urls :::: Tie a Yellow Ribbon :::: Surplus :::: Robot Girl :::: Deborah Danziger - Artist :::: Adele Twig :::: Melissa Ferrer :::: Tilefish, Inc. :::: The Levee :::: Jed Films
DESIGN PORTFOLIO (on Raphie Frank :: business artivist)
---------------------------------------------------------------------------------------
EDITORIAL
by subject area :::: Articles :::: Press Releases :::: Case Studies :::: Personal Histories :::: Interviews :::: Political Essays :::: Lyrics :::: Creative Narrative
EDITORIAL HIGHLIGHTS (on Raphie Frank :: business artivist)
---------------------------------------------------------------------------------------
PHOTOGRAPHY
urls :::: Theatrical Publicity :::: Digital Portraits :::: Cityscapes :::: Sculpture & Still life
PHOTOGRAPHY PORTFOLIO (on Raphie Frank :: business artivist)
---------------------------------------------------------------------------------------
Note: lighting design and technical film resumes available upon request
ABOUT ::::: EXPERIENCE :::: ONLINE PRESENCE
PRODUCING
urls :::: Swandivedigital :::: Markle Foundation :::: Connecting For Health :::: Markle Conference Space ;::: The Shubert Foundation :::: The Shubert Organization :::: Just for Men :::: Just for Men Select :::: Cepacol :::: Dreyfus Records :::: Metamorphoses on Broadway :::: Definition of Insanity :::: Enron :::: Referral Networks
PRODUCING PORTFOLIO (on Raphie Frank:: business artivist)
---------------------------------------------------------------------------------------
DESIGN
urls :::: Tie a Yellow Ribbon :::: Surplus :::: Robot Girl :::: Deborah Danziger - Artist :::: Adele Twig :::: Melissa Ferrer :::: Tilefish, Inc. :::: The Levee :::: Jed Films
DESIGN PORTFOLIO (on Raphie Frank :: business artivist)
---------------------------------------------------------------------------------------
EDITORIAL
by subject area :::: Articles :::: Press Releases :::: Case Studies :::: Personal Histories :::: Interviews :::: Political Essays :::: Lyrics :::: Creative Narrative
EDITORIAL HIGHLIGHTS (on Raphie Frank :: business artivist)
---------------------------------------------------------------------------------------
PHOTOGRAPHY
urls :::: Theatrical Publicity :::: Digital Portraits :::: Cityscapes :::: Sculpture & Still life
PHOTOGRAPHY PORTFOLIO (on Raphie Frank :: business artivist)
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Note: lighting design and technical film resumes available upon request
ABOUT ::::: EXPERIENCE :::: ONLINE PRESENCE
fotoLocket
FotoLocket is the catch-all term for a collaborative photo blog in development, a photo storage device to be sold online, and sundry other image-related enterprises currently in development.
The blog will have photo essays, galleries, tips, tutorials, and the goal is to tap into an overwhelmingly rich and ubndersappreciated talent pool I and partner Sam Stearman have found via Flickr, a photo sharing website that brings together folks from as disparate locales as New Zealand, France, Thailand and Hong Kong.
We want all those amazing images and the stories behind them to be seen and heard and felt. And we want to try to promote those who work with us and vice versa. Our goal is to get people working together and helping each other out. The project is all about artists helping artists, working together, not apart, creating win-win situations and the like.
As for the photo storage device, I'll let Sam tell you about that in his own words. Oh, and by the way, Sam is good, good people folks and a hell of a photographer. You can check out his work at Samsays.com...
SAM'S FOTOLOCKET
Sam’s foto Locket offers secure protection for digital photos dear to any photographer – whether a novice or professional - in a small portable unit which easily fits in a shirt or jacket pocket. Shoot what you want – when you want – where you want. Then quickly upload pictures to the foto Locket and erase your media card with the complete assurance that your pictures are safe and secure.
I retired 3 years ago to travel the world and take photos – two hobbies I adore. A year ago, while on a shoot in Macau I watched with intrigue as a professional photographer friend I was traveling with uploaded his photos from his camera to a pocket-sized external hard drive during lunch. The whole process was so effortless, and the entire routine so unconscious -- as if he were merely entering someone’s number into a cell phone -- that I was immediately afflicted with a major case of “ease” envy.
Three weeks later I left on an extended trip to the US, Brazil and South Korea outfitted with my very own pocket-sized media photo “locket” – as I’ve come to call it -- and hundreds of high resolution photos and countless stress-free hours later I was thanking my lucky stars for having made one of the best investments of my life. Traveling now without this accessory is as inconceivable to me as a world without email or cell phones. I honestly don’t know how I ever managed to get by without one.
It came as a bit of a shock to me when I realized I’m just about the only kid on the block with one of these. The “Locket” is virtually unavailable outside China.
I like my unit so much – to the point where I believe any serious photographer or any serious lover of cherished memories ought to have one -- that I started looking into how to improve it; how to make it more reliably suit the needs of travels to remote regions, how to make it affordable as an alternative to extra media cards and how to expand its use so it can serve as an external hard disk for desktop and laptop computers alike.
Sam’s fotoLocket is the result! My retirement is over.
The blog will have photo essays, galleries, tips, tutorials, and the goal is to tap into an overwhelmingly rich and ubndersappreciated talent pool I and partner Sam Stearman have found via Flickr, a photo sharing website that brings together folks from as disparate locales as New Zealand, France, Thailand and Hong Kong.
We want all those amazing images and the stories behind them to be seen and heard and felt. And we want to try to promote those who work with us and vice versa. Our goal is to get people working together and helping each other out. The project is all about artists helping artists, working together, not apart, creating win-win situations and the like.
As for the photo storage device, I'll let Sam tell you about that in his own words. Oh, and by the way, Sam is good, good people folks and a hell of a photographer. You can check out his work at Samsays.com...
SAM'S FOTOLOCKET
Sam’s foto Locket offers secure protection for digital photos dear to any photographer – whether a novice or professional - in a small portable unit which easily fits in a shirt or jacket pocket. Shoot what you want – when you want – where you want. Then quickly upload pictures to the foto Locket and erase your media card with the complete assurance that your pictures are safe and secure.
- No need to buy spare memory cards when going on holiday...
- Never miss a shot because your memory card is full...
- Upload your pictures while out shooting without any need to lug your laptop computer along
I retired 3 years ago to travel the world and take photos – two hobbies I adore. A year ago, while on a shoot in Macau I watched with intrigue as a professional photographer friend I was traveling with uploaded his photos from his camera to a pocket-sized external hard drive during lunch. The whole process was so effortless, and the entire routine so unconscious -- as if he were merely entering someone’s number into a cell phone -- that I was immediately afflicted with a major case of “ease” envy.
Three weeks later I left on an extended trip to the US, Brazil and South Korea outfitted with my very own pocket-sized media photo “locket” – as I’ve come to call it -- and hundreds of high resolution photos and countless stress-free hours later I was thanking my lucky stars for having made one of the best investments of my life. Traveling now without this accessory is as inconceivable to me as a world without email or cell phones. I honestly don’t know how I ever managed to get by without one.
It came as a bit of a shock to me when I realized I’m just about the only kid on the block with one of these. The “Locket” is virtually unavailable outside China.
I like my unit so much – to the point where I believe any serious photographer or any serious lover of cherished memories ought to have one -- that I started looking into how to improve it; how to make it more reliably suit the needs of travels to remote regions, how to make it affordable as an alternative to extra media cards and how to expand its use so it can serve as an external hard disk for desktop and laptop computers alike.
Sam’s fotoLocket is the result! My retirement is over.
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