Monday, July 17, 2006

Quantum Social Relativity

03/21/05 Water Mushroom
03/21/05 Water Mushroom courtesy of Studio Antwan

"I bet sociology could use a guy like you" Craig Newmark writes back in January in a post entitled "A brief reply to Whats Wrong with Economics?" He was speaking "to the gentleman who claims economics isn't 'predictive' and has the same maturity as "physics before Newton and possibly before Galileo," His comment struck a chord, poet and musicmaker as I am, and son not only to a former Princeton Economics Professor but also Grandson to another Economics professor, a supply side economic advisor to FDR, who just happened to be Alan Greenspan's teacher way back in 1946.

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The fact of the matter is that sociology could indeed use a few more mathematically and scientifically grounded minds, particularly given recent studies by physicists that have used mathematical modeling to better understand the dynamics of social interaction. Similarly, the field of economics could use a few more humanistically inclined folk, especially in light of the rise of prospect theory.

As long as sociologists think economists heartless and economists think sociologists fools and dreamers, we are going to miss the forest for the trees. The "answer" as the Eastern philosophers are fond of saying, lies somewhere in the middle, the "Great nothingness" from which springs forth all being. Or rather, "in the middle of a contradiction there lies truth."

Prescriptively speaking, there ought to greater efforts made to bridge paradigmatic theoretical constructs across entire disciplines, not just with respect to internecine rivalries. Psychologists and Sociologists should be working WITH physicists and mathemeticians, not against. It's no "accident" that the double helix was discovered in a dream, the quark in a Joyce novel; and it's no mere interesting "oh, you don't say..." that Alan Greenspan studied at Julliard before going to NYU to study economics. As Willy Wonka put it: "We are the musicmakers. We are the dreamers of dreams." Or as an economist might put it "Atttude and morale are factors of production."

Simply put, the good market is on sale. The NYT called it "Death by Smiley Face" and cited Craig's List in particular as a practitioner of it, I call it "trickle-up economics" based on a model of psychic barter, universal utility, power and the speed of idea (squared). Hegelian dialectic (aka "triangulation") also figures in. I can anecdotally support my case umpteen zillion ways to Sunday, but it's outside in and inside out rather than bottom up cumulative or top down reverse engineered. Jung called this the "final" rather than the "causal" perspective. I just call it QUANTUM SOCIAL RELATIVITY and it's a psychic fact of existence regardless of the underlying math.

We ourselves are the space and the connection between things. As such, welcome to the 5th dimension aka the eternal "now" and the psychosocial eqivalent to e=mc^2 and perhaps far more:

Z= PI2

Zightgeist = Power * speed of Idea2


Network, system and string theory are the missing links. Also, for what it's worth, my derivations for Z=PI2 predict that light can travel backwards as well as that 1=2 (aka the circular paradox wherein the formaula for the Area can reduce to 1 or 2). But first you've got to accept that 0 actually = -1 and is the opposite side of +1. In physics 101 it's called potential energy.

There's much, much more, but I'll leave it at that for now. I'm not hard to find if anyone who this way comes is interested in discussing further.

Sunday, July 16, 2006

The Riven Hearts Project

The Kiss

Stay tuned for upcoming info re: The Riven Hearts Project

Worldzight

WorldZight :: Eyes Upon Toronto
an improvisational experiment in global participatory democracy

The premise behind Worldzight is to bring together trans-global constituencies bound together by race, religion, issues, convergence of interest, or any one of a number of "metonymic" (a part used for the whole) connections to a given "cause" in a peaceful, non-obstructive manner.

The goal of Worldzight is to demonstrate to local, regional and national governments world-wide that citizen democracy can STILL work even in an increasingly globalized, yet micro-segmented, society that works to simultaneously concentrate means of communication in the hands of a few while dividing constituencies into ever smaller self-coalescing micro-constituencies. These simultaneous trends threaten to work hand in hand to frustrate attempts to generate popular consensus on pressing global issues even as the means (the "pipes") by which to express dissent become ever more subject to corporate whim.

Worldzight ,born of improvisational necessity late in the afternoon on July 2nd, 2006, is inspired by Ana Crisan's dogged determination to protect her friend Chris' unjust eviction from his home of many, many years beneath Toronto's Gardiner Expressway. The Worldzight action is based on a still emerging theory of BUSINESS ARTIVISM, blending together business, art and NON-PARTISAN activism and utilizes a model for political discourse and direct action based on community theater-type means of communication transmission such as those that contributed to the peaceful downfall of the totalitarian state government in Czechoslovakia during the early 1990's, an action referred to in common culture as "The Velvet Revolution"

Worldzight firmly believes that one-to-one or one-to-few outreach directed outward from the central point of conflict can work in tandem with judiciously selected micro-targeted mass media outlets and direct action by incentivized constituencies to serve as a countervailing balance against increasingly dangerous Gilded Age economic policies that increase class separation via concentration of wealth and decrease communication via an increase of technological anonymity. The goal is NOT revolution, but velvet-style change and transformation from within.

We ask for your help making Worldzight a success it's very first time out. The point we most want to convey is that the voice and they eyes will not just go away after the deed is done. With citizen democracy there is no such thing as a fait accompl.

:: Additional Info
:: WorldZight on Flickr

Business Artivism

I belive i can fly?
"Alone it Stay" by Giampaolo Macorig

Business Artivism is a business model for the 21st Century Information Age with an underlying philosophy that aims to enfranchise and monetize vast, untapped societal reservoirs of creative talent and goodwill. Primarily Media- and Internet-driven, Business Artivism is differentiated from standard “Corporate Good Citizen” business model by it’s bottom-up, personal agency-based grass-roots blending of business, art and activism.

The Business Artivist approach can be thought of as a financially incentivized, Social Entrepreneurial “franchise” that merges the contradictory but complementary values of independence and collaboration into one seamless “bricks and clicks” online and offline whole. While fundamentally non-partisan, business artivism nevertheless tends to the progressive socially while yet rewarding more traditionally conservative values such as personal initiative, hard work, innovation and talent-based merit.

The Business Artivist enterprise can be thought of as a grand three dimensional matrix where, in Othello game-like fashion, more than one "piece" can be played simultaneously and exist in more than one space in "virtual quantum" manner, thus creating multiple connections that allow for synergies well suited to trends towards micro-niche marketing. Contributors to the business artivist network are themselves the network’s greatest promoters, in part because expenditures of time and creative energy are valued on a par with monetary investment. Organic growth from inside is encouraged while not excluding newcomers. Projects currently in development include Blogs, an eCommerce Product launch and sundry, but related, Image-based enterprises.

related writings on Raphie Frank :: business artivist (link open in a new window)
  • The Evolving Priciples of Business Artivism
  • Steal This Business Concept!
  • Introducing "Trickle Up" Economics
  • What the hell is “boojummy”?

    related flickr groups:
  • Business Artivist
  • WorldZight
  • Boojummy
  • Experience

    ABOUT ::::: PORTFOLIOS :::: ONLINE PRESENCE

    RAPHIE FRANK :: BUSINESS ARTIVIST

    Background
    Raphie Frank is a New York City-based interactive producer, writer, photographer and designer with sixteen years of hands-on cross-industry experience in a variety of managerial, creative and technical capacities in media including journalism, film & video, theater, music, commercial design and marketing communications. At heart, however, he considers himself a storyteller with the desire to tell reality-based stories with happy hopeful endings. He is currently engaged in a process to create the stories he wants to write about within a business context.

    PORTFOLIOS (on Raphie Frank :: business artivist)
    producing ::::: writings ::::: photography ::::: design

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    COLLABORATIVE ENTERPRISE
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    BOOJUMMY
    Founder: Business Artivism
    New York • December 2005 - present
    Business Artivism is a business model for the 21st Century Information Age with an underlying philosophy that aims to enfranchise and monetize vast, untapped societal reservoirs of creative talent and goodwill. Primarily Media- and Internet-driven, Business Artivism is differentiated from standard “Corporate Good Citizen” business model by it’s bottom-up, personal agency-based grass-roots blending of business, art and activism. Contributors to the business artivist network are themselves the network’s greatest promoters, in part because expenditures of time and creative energy are valued on a par with monetary investment. Organic growth from inside is encouraged while not excluding newcomers. Projects currently in development include Blogs, an eCommerce Product launch and sundry, but related, Image-based enterprises.

    related writings:
  • What is Business Artivism?
  • Introducing “Trickle Up Economics” (aka “The One Song”)
  • Steal This Business Concept!
  • Steal This Business Concept!
  • What the hell is “boojummy”?

    ASYLUM
    Co-Director
    Prague • 1993
    Asylum, an underground café/theater/art gallery in the heart of Prague, served as a home for numerous ongoing and special events. Programmed theater, lectures, round table discussions, film screenings, concerts, readings and art exhibits etc.; Managed cafe & mostly volunteer staff; and oversaw community outreach and public relations efforts.

    related writings:
    :: Planning Warhol in Prague: The Asylum Culture House & The Warholesquian Sensibility
    :: Planning Warhol in Prague: Kafka & The "Refounding" of the Prague Culture House
    :: Performing Cultures: English Language Theatres in Post-Communist Prague by Dr. Gwen Orel

    FIRST STEP
    Founder & Co-Director
    Vassar College • Poughkeepsie, NY • 1987, 1988
    Conceived, developed and directed the first two of what evolved into an annual week long "Step Beyond" festival designed to increase student involvement in the local community. Coordinated staff of 150 students. Oversaw PR and fundraising campaign. Organized guest speakers and entertainment. Activities included a volunteer push into the community, speeches, debates, and the “36 Hour Ultimate Frisbee Marathon for Hunger Action” Events received the Innovative Programming Award (National Association of Campus Activities, 1987) and the Francis Aaron Hess Award for Community Involvement (1988) and helped President Frances Fergusson cement her legacy as the Vassar President to do most to improve relations with the local community.

    :: Giving A Damn :: Back to the Future

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    EDITORIAL
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    GOTHAMIST.COM
    Interviewer
    New York City • 2004- 2005
    Conducted 50 interviews for a Top 100 New York City-focused blog named Forbes 2004 pick as "Best City Blog."

    Other
    Well-versed in a range of Marketing Communication and business-style communications, including, but not limited to Industry-related Articles, Press Releases, Case Studies and Marketing Copy (e.g. responsible for the bulk of website copy while at swandivedigital). Additional writings include political essays, personal histories, and a variety of creative compositions including songs, short stories and poems.

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    DESIGN & MARKETING COMMUNICATIONS
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    SWANDIVEDIGITAL
    Senior Producer / Partner
    New York City • December 2000— February, 2005

    Full service design and integrated marketing communications agency. Range of engagements encompassed identity & logo development; website development (inclusive of database architectures, content management systems and blog implementations), corporate marketing and communication campaigns (i.e. report design & production, email list management and delivery, trade show materials, direct mail), advertising (i.e. print ads, online banners) and video production. Clients have included The Task Force on National Security in the Information Age, The Markle Foundation, The Shubert Foundation, Connecting For Health, Cepacol, The Shubert Organization, Dreyfus Records, Metamorphoses on Broadway, Enron and Referral Networks.

    PRIMARY RESPONSIBILITIES
    Account Management: Client interface, concept & strategy • RFP responses and proposal writing • Lead generation & client acquisition • Maintenance of precise and clear communication between client and project team • Keep abreast of developing industry and technology trends • Development of swandive promotional materials.

    Project Management: Team assembly and coordination • Budget estimation • Project Plan development • Scheduling • Delivery of project deliverables in timely fashion; meeting or exceeding creative standards and technical benchmarks • Vendor research, negotiation and management (both interactive and print related)

    Online Marketing: Search engine optimization and placement • Email list management and delivery • Occasional media buys and trafficking

    User Experience: Research and ensure implementation of usability & universal accessibility online best practices • Site maps and page schematics. • Developed User-centric Assessment method to quantitatively rate Website Usability along parameters of Usefulness, Ease of Use, Efficiency, Engagement and Trustworthiness.

    related writings:
    :: :: The User-Centric Guide to Web Design

    FREELANCE CONSULTANT / DESIGNER
    New York City • March 2005 — present

    Internet strategy and design consulting with a focus on non-profits, the arts and small business. Have functioned variously in an advisory capacity, as part of a team, and as a one-stop shop offering strategy, design, editorial, photographic, programming and project management services. Partcicular competencies include Usable Design (including Section 508 compliance) Online Branding & Strategy, Account & Project Management, Content Development and Viral Marketing. Clients have included Swandivedigital, Adele Twig, Melissa Ferrer, Tilefish, Inc., The Levee, eMedia and Jed Films. In association with Swandivedigital, clients have included The Markle Foundation, Connecting for Health, Just for Men and Just for Men Select

    related writings:
  • Say It Again Sam, Don’t Pay it Again
  • The New Internet Math
  • Dollars & Sense

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    PHOTOGRAPHY & LIGHTING
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    Still Photography
    New York City, Prague • 1994 - present
    Theatrical publicity & performance photography and digital photography for usage in original design output. Highlights have included Blackbird (London, 2002), Quentin Crisp for Resident Alien (NYC, 2001, 2002), A Thread In The Dark (NYC, 2002), Liz Estrada (NYC, 2002), No Tragedy, Conference of the Birds, Angels In America, and A Christmas Carol (Prague, 1994 - 1996).

    Film & Video
    New York City • 1997 - present
    Cinematography & Videography highlights have included Bacchus, an award winning 16mm short film for Bacchus Productions (DP, Co-Producer & Co-Writer, 1997); What is to be Done?, a 20 minute video short (DP, 1998); A Simple Gesture, 16mm short film, (Director David Snedeker, co-DP, 1997); Here Everything Still Floats and Whitney Biennial '97 DV short film & documentary (Director Michael Rush, Operator, 1997 &1998); and Bass Method, Piano Method I & II educational videos for eMedia (DP, 2001, 2002, 2005)
    no reel currently available. work samples available upon request

    Film Lighting Technician
    Gaffer, Best Boy, Electrician, Grip
    New York City • 1990 - 1992, 1993, 1996 - 2001

    Over 150 film projects in various lighting technician capacities on such feature films as Happiness, Empire, Niagara, Niagara, Hangin' with the Homeboys; television shows(i.e. "100 Centre Street"); music videos for such known artists as The Strokes, The Fugees, Foxy Brown, Tom Jones, and Billy Joel; commercials, industrials and shorts. Member IATSE Local 52.
    partial credit list available at IMDB.com

    Theatrical Lighting Design
    Prague, New York • 1994 - 1996, 1998
    Envisioned, drafted and executed lighting concepts to underscore and complement directorial vision. Incorporated artistic styles ranging from naturalism to expressionism and social realism. 20 + Productions. Highlights include A Christmas Carol (Director Jesse Webb, Prague, 1994), No Tragedy (Director Peter Dubois, Prague, 1995), Itaka 2888 (Choreographer Petr Tyc, Czech Republic and Poland,1996), and Arcadia (Director Mervyn Willis, Visiting Artist at U. of Rochester, 1998)
    portfolio available upon request, online portfolio forthcoming

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    EDUCATION & SKILLS
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    Vassar College, 1990
    Dual Degrees: Dramatic Writing & Psychology
    Thesis Topic: Sam Shepard & the Philosophy of Roads

    Post-Graduate
    16 years of self-study of art, philosophy, history, design, world events, politics, financial markets, computer programming & human interaction; extensive travel throughout Europe and The United States.

    Software Proficiencies: Blogger software such as Movable Type & Wordpress, Photoshop, MS Office suite, MS Project, Omnigraffle (similar to Visio), BBEdit (handcoding), Dreamweaver, Contribute, HTML , CSS Stylesheets, Lyris ListManager. Familiar with: Illustrator, Flash, InDesign, Quark Xpress, Final Cut Pro

    More detailed media-specific resumes and/or portfolios available upon request


    ABOUT ::::: PORTFOLIOS :::: ONLINE PRESENCE
  • About

    EXPERIENCE ::::: PORTFOLIOS :::: ONLINE PRESENCE

    Raphie Frank is a New York City- based interactive producer, writer, photographer and designer, with supplemental expertise in Usability & Online Marketing. Raphie helped found swandivedigital in 2000 after ten years of production, technical and design experience in the Visual and Performing Arts worlds. While at swandivedigital he oversaw multiple engagements for such organizations as the Markle Foundation, Referral Networks and the Shubert Foundation, before setting out on his own in 2005 as a freelance intermedia consultant.

    Prior to his experience at swandivedigital, Raphie traversed the artistic globe as Culture House Director ("Asylum" theater/cafe/art gallery, Prague, 1992-1993), award-winning short-film Producer (Bacchus, Germany, 1998), Theatrical Lighting Designer and published photographer. Raphie graduated from Vassar in 1990 with degrees in Psychology and Dramatic Writing and has published 50 interviews with leading city blog Gothamist.com since August, 2004.

    EXPERIENCE ::::: PORTFOLIOS :::: ONLINE PRESENCE

    Online Presence

    ABOUT :::: EXPERIENCE ::::: PORTFOLIOS

    BLOGS
    Raphie Frank :: business artivist
    Snipes, Logomancy & So So Psychosis

    addl. blogs
    Zight Writer :::: Politinotions :::: Internetification :::: Flickervism :::: Boojummy :::: Boojummy Photo :::: So So Psycho

    contributor
    Gothamist :::: Political Cortex :::: Covered-Up

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    SOCIAL SOFTWARE
    Friendster Profile
    Blogger Profile
    My Space Profile
    Flickr Profile

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    FLICKR GROUPS
    Boojummy
    Business Artivist
    worldzight
    fotoLocket
    Riven Hearts

    addl. flickr groups
    BIRTHDAY! (384 members) :::: 50fiftySHOULDbe (130 members) :::: Smilesplosion (93 members) :::: Pinhole45 (91 members) :::: moiportrait (90 members) :::: Lost Context (63 members) :::: Missing Persons (71 members) :::: moirror (41 members) :::: *Wild Ripple* (30 members) :::: Nada Surf (20 members) :::: Hopeful People (12 members)

    co-admin by invite
    Help my friends PLEASE!!! NOW URGENT!!! (341 members) :::: The Street Photography Collective (828 members)

    ABOUT :::: EXPERIENCE ::::: PORTFOLIOS

    Portfolios

    ABOUT ::::: EXPERIENCE :::: ONLINE PRESENCE


    PRODUCING
    urls :::: Swandivedigital :::: Markle Foundation :::: Connecting For Health :::: Markle Conference Space ;::: The Shubert Foundation :::: The Shubert Organization :::: Just for Men :::: Just for Men Select :::: Cepacol :::: Dreyfus Records :::: Metamorphoses on Broadway :::: Definition of Insanity :::: Enron :::: Referral Networks

    PRODUCING PORTFOLIO (on Raphie Frank:: business artivist)

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    DESIGN
    urls :::: Tie a Yellow Ribbon :::: Surplus :::: Robot Girl :::: Deborah Danziger - Artist :::: Adele Twig :::: Melissa Ferrer :::: Tilefish, Inc. :::: The Levee :::: Jed Films

    DESIGN PORTFOLIO (on Raphie Frank :: business artivist)

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    EDITORIAL
    by subject area :::: Articles :::: Press Releases :::: Case Studies :::: Personal Histories :::: Interviews :::: Political Essays :::: Lyrics :::: Creative Narrative

    EDITORIAL HIGHLIGHTS (on Raphie Frank :: business artivist)

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    PHOTOGRAPHY
    urls :::: Theatrical Publicity :::: Digital Portraits :::: Cityscapes :::: Sculpture & Still life

    PHOTOGRAPHY PORTFOLIO (on Raphie Frank :: business artivist)

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    Note: lighting design and technical film resumes available upon request

    ABOUT ::::: EXPERIENCE :::: ONLINE PRESENCE

    fotoLocket

    FotoLocket is the catch-all term for a collaborative photo blog in development, a photo storage device to be sold online, and sundry other image-related enterprises currently in development.

    The blog will have photo essays, galleries, tips, tutorials, and the goal is to tap into an overwhelmingly rich and ubndersappreciated talent pool I and partner Sam Stearman have found via Flickr, a photo sharing website that brings together folks from as disparate locales as New Zealand, France, Thailand and Hong Kong.

    We want all those amazing images and the stories behind them to be seen and heard and felt. And we want to try to promote those who work with us and vice versa. Our goal is to get people working together and helping each other out. The project is all about artists helping artists, working together, not apart, creating win-win situations and the like.

    As for the photo storage device, I'll let Sam tell you about that in his own words. Oh, and by the way, Sam is good, good people folks and a hell of a photographer. You can check out his work at Samsays.com...

    SAM'S FOTOLOCKET
    Sam’s foto Locket offers secure protection for digital photos dear to any photographer – whether a novice or professional - in a small portable unit which easily fits in a shirt or jacket pocket. Shoot what you want – when you want – where you want. Then quickly upload pictures to the foto Locket and erase your media card with the complete assurance that your pictures are safe and secure.
    • No need to buy spare memory cards when going on holiday...
    • Never miss a shot because your memory card is full...
    • Upload your pictures while out shooting without any need to lug your laptop computer along
    Sam says...
    I retired 3 years ago to travel the world and take photos – two hobbies I adore. A year ago, while on a shoot in Macau I watched with intrigue as a professional photographer friend I was traveling with uploaded his photos from his camera to a pocket-sized external hard drive during lunch. The whole process was so effortless, and the entire routine so unconscious -- as if he were merely entering someone’s number into a cell phone -- that I was immediately afflicted with a major case of “ease” envy.

    Three weeks later I left on an extended trip to the US, Brazil and South Korea outfitted with my very own pocket-sized media photo “locket” – as I’ve come to call it -- and hundreds of high resolution photos and countless stress-free hours later I was thanking my lucky stars for having made one of the best investments of my life. Traveling now without this accessory is as inconceivable to me as a world without email or cell phones. I honestly don’t know how I ever managed to get by without one.

    It came as a bit of a shock to me when I realized I’m just about the only kid on the block with one of these. The “Locket” is virtually unavailable outside China.

    I like my unit so much – to the point where I believe any serious photographer or any serious lover of cherished memories ought to have one -- that I started looking into how to improve it; how to make it more reliably suit the needs of travels to remote regions, how to make it affordable as an alternative to extra media cards and how to expand its use so it can serve as an external hard disk for desktop and laptop computers alike.

    Sam’s fotoLocket is the result! My retirement is over.